Myth-Land — Key Ideas to Explore
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The source record for Myth-Land — Key Ideas to Explore measures this digital text at 76,829 words, 5 hr 35 min estimated reading time, and 18 detected text sections.
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Project Gutenberg metadata also associates the work with “Folklore,” connecting these edition facts with the source record’s subject description.
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Introduction--"A Description of 300 Animals"--Unicorn--The Bible Unicorn--The Heraldic Unicorn--The Horn as a Poison Test--The Unicorn of Mediæval Legend--Wolf Causing Dumbness--The Rompo or Man-Eater--The Manticora--The Lamia--Stag Antipathies--Dragons-- Dragon-Slaying--Legends of the Saints--The "Legenda Aurea"--St. George--Mediæval Recipes--The "Historia Monstrorum" of Aldrovandus-- The Dragon in Heraldry--The Dragon of Wantley--Dragons' Teeth--The Dragonnades--The Dragons of Shakespeare--Guardians of Treasure--The Feud between the Dragon and the Elephant--The "Bestiare Divin" of Guillaume--The Cockatrice--The Basilisk--The Phoenix: Its Literary Existence from Herodotus to Shakespeare--The Dun-Cow of Warwick--Sir Guy, and Percie's "Reliques of Antient Poetry"--Old Ribs and other Bones in Churches--The Salamander--Breydenbach's Travels--The "Bestiary" of De Thaun--The Ylio--The Griffin--The Arimaspians-- Burton's "Miracles of Art and Nature"--The Lomie--The Tartarian Vegetable Lamb--The Sea-Elephant--Pegasus--The Vampyre--The Chameleon 1-80
The Sphinx--The Chimæra--The Centaurs--The Origin of the Myth--The Onocentaur--Sagittarius--Satyrs and Fauns--The Harpys, described by Homer, Virgil, Shakespeare, Milton, and others--The Echidna--The Gorgon--The Hydra--The Sirens--The Lurlei--Mermaids--The Manatee-- Dog-Headed Men of Brazil--The One-Eyed Cyclops and Briaræus of the Hundred Arms--The Headless Men or Anthropophagi--Sir Walter Raleigh's El Dorado--Claw-Footed Men--The Marvels of Hackluyt and Mandeville-- The Long-Eared Fanesii--The Fairies--The "Discoverie of Witchcraft"-- The Little Good People--Fairy-Rings--Elf-Music--Changelings-- Elf-Possession--Spirits of the Mine, or Knockers--Robin Goodfellow-- Queen Mab--The Phoca or Storm-Spirit--The Kelpie--Jack-o'-Lantern-- The Pigmies--Giants--Early Sculptures--Gigantic Men of Antiquity 81-132
Comparatively Small Number of Mythical Bird-Forms--The Martlet--The Bird of Paradise--The Humma--The Huppe--The Ibis--The Roc--The Hameh Bird--Reptiles, Fish, &c.--The Sea-Serpent--The Adissechen of Hindu Mythology--The Iormungandur of Scandinavian Mythology-- The Egg Talisman--Fire-Drake--Aspis--Amphisbena--Kraken--Cetus-- Leviathan--Behemoth--Nautilus--Dolphin--The Acipenser--The Remora-- The Fish Nun--The Chilon--The Dies--Sea-Bishops and Sea-Monks--Davy Jones and his Locker--Ojibiway Legend of the Great Serpent--Fabledom in the Vegetable Kingdom--The Barnacle Tree--The Kalpa-Tarou--The Lote Tree--The Tree of Life--Lotus-Eating--Amaranth--Lotus Wreaths at Kew from the Egyptian Tombs--Asphodel--Mediæval Herbals-- Ambrosia--The Upas Tree--The Umdhlebi Tree of Zululand--The Kerzereh Flower--The Mandrake--"Miracles of Art and Nature"--Travellers' Tales--The Dead Sea Apple--Alimos--The Meto--The Herb Viva--Cockeram on Herb-Lore--The Pseudodoxia of Dr. Browne--Herb Basil--The "Eikon Basilike"--Fitzherbert's "Boke of Husbandry" 133-205
LIST OF ILLUSTRATIONS.
PAGE The Unicorn (from a "Description of 300 Animals," A.D. 1786) 5
The Manticora (from a "Description of 300 Animals," A.D. 1786) 13
The Lamia (from a "Description of 300 Animals," A.D. 1786) 13
Dragons (from a "Description of 300 Animals," A.D. 1786) 17
Dragon, from a piece of Italian decoration 79
The Harpy (from the "Historia Monstrorum" of Aldrovandus, A.D. 1642) 161
The Barnacle Tree, from Gerarde's "Herbal," A.D. 1633 169
The Barnacle Tree (from the "Theatrum Botanicum" of Parkinson, A.D. 1640) 173
The Barnacle Tree (from "Munster's Cosmography," A.D. 1550) 174
The Palm (from the "Eikon Basilike," A.D. 1648) 203
Introduction--"A Description of 300 Animals"--Unicorn--The Bible Unicorn--The Heraldic Unicorn--The Horn as a Poison Test--The Unicorn of Mediæval Legend--Wolf Causing Dumbness--The Rompo or Man-eater--The Manticora--The Lamia--Stag Antipathies--Dragons--Dragon-slaying-- Legends of the Saints--The "Legenda Aurea"--St. George--Mediæval Recipes--The "Historia Monstrorum" of Aldrovandus--The Dragon in Heraldry--The Dragon of Wantley--Dragons' Teeth--The Dragonnades--The Dragons of Shakespeare--Guardians of Treasure--The Feud between the Dragon and the Elephant--The "Bestiare Divin" of Guillaume--The Cockatrice--The Basilisk--The Phoenix--Its Literary Existence from Herodotus to Shakespeare--The Dun-Cow of Warwick--Sir Guy, and Percie's "Reliques of Antient Poetry"--Old Ribs and other Bones in Churches--The Salamander--Breydenbach's Travels--The "Bestiary" of De Thaun--The Ylio--The Griffin--The Arimaspians--Burton's "Miracles of Art and Nature"--The Lomie--The Tartarian Vegetable Lamb--The Sea-Elephant--Pegasus--The Vampyre--The Chameleon.
All science is a gradual growth. Travellers as they toil up a long ascent turn round from time to time, and mark with satisfaction the ever-lengthening way that stretches between them and their distant starting-place, and derive a further encouragement from the sight to press onward to the yet unknown. So may we in this our day compare ourselves, in no offensive and vainglorious way, with the men of the past, and gain renewed courage in the future as we leave their ancient landmarks far behind us. Shame, indeed, would it be to us had we not thus advanced, for our opportunities of gaining knowledge are immeasurably greater than those of any preceding generation.
The old herbals and books of travels abound in curious examples of the quaint beliefs of our forefathers, while their treatises on natural history are a still richer storehouse. Many of the old tomes, again, on the science of heraldry give other curious notions respecting the different animals introduced. Some of these animals, as the dragon or the griffin, are undoubtedly of the most mythical nature, yet we find them described in the most perfect good faith, and without the slightest suspicion as to their real existence. We shall have occasion to refer to several of the works of these old writers, and we will, without further preface, take down from our book-shelf a little book entitled "A Description of 300 Animals."[1]
F. Edward Hulme's Myth-Land opens with a Whittier epigraph that sets the tone for a work more interested in cataloging than debunking. The preface reveals its origin as two short papers for a school natural history society, later expanded into a full volume. Hulme explicitly divides his subject into two sections: wholly imaginary creatures and the fancies clustering around real animals, though this first volume confines itself almost entirely to the former. The table of contents promises a parade of unicorns, dragons, cockatrices, basilisks, phoenixes, and the Dun-Cow of Warwick, among others.
From School Papers to Scholarly Compilation
The preface positions Myth-Land as an amateur's labor of love, born from two short papers read at a Public School Natural History Society. Hulme quotes Thomas Fuller's image of 'honest old fellows in leathern jackets' as companions for solitary study, framing his research as diverting entertainment. He acknowledges that his materials 'grew rapidly on our hands,' suggesting a process of accretion rather than systematic design. The work's structure—two obvious sections, with the second deferred to a possible companion volume—indicates that Hulme saw his subject as inexhaustible. The preface's modesty ('we would fain hope that they may not be altogether received without favour') contrasts with the ambitious scope of the contents list, which ranges from biblical unicorns to Shakespearean dragons.
The Pigmies: A Case Study in Credulity
The excerpt on pigmies and cranes exemplifies Hulme's method. He traces the myth from Homer's Iliad through Oppian, Juvenal, Strabo, Scaliger, Aldrovandus, Albertus Magnus, and Ctesias, noting disagreements about location (north, Nile, Ganges, Scythia) and size (mounted on partridges or rams). Hulme quotes an old writer's remark that 'what was only a pleasant figment in the fountain, became a solemn story in the stream,' a phrase that could serve as the book's motto. He includes Shakespeare's comic reference from Love's Labour's Lost and Dryden's and Young's poetic uses, distinguishing between those who 'adopted the myth' without belief and Joshua Barnes, who in 1675 published a book claiming actual discovery of pygmies. The passage ends with a nod to Tennant's 'very just remark' on Ceylon, though the excerpt cuts off before its content.
Catalog Subjects vs. Actual Content
The Project Gutenberg catalog lists Myth-Land under Folklore, Animals—Folklore, and Animals, Mythical. The excerpts confirm these labels but reveal a narrower focus than the broad subject headings suggest. Hulme's treatment is historical and literary rather than ethnographic or comparative; he traces classical and medieval sources without venturing into non-European traditions. The pigmy discussion, for instance, relies entirely on Greek and Roman authors plus a few English poets. The catalog's 'Animals—Folklore' might imply folk beliefs about real animals, but Hulme explicitly states he is dealing with 'wholly untrue and impossible creatures of the fancy.' The mythical animals category fits, though the book's tone is more antiquarian than analytical. Hulme's skepticism is mild—he notes Strabo and Scaliger considered the pigmy belief fabulous, and Aldrovandus found it difficult to credit—but he does not dismiss the stories outright, treating them as curiosities worth preserving.
Readers approaching Myth-Land should expect a leisurely tour through classical and medieval marvels, guided by a Victorian antiquarian who delights in collecting contradictory accounts. Hulme's voice is genial rather than rigorous; he quotes freely from poets and naturalists alike, often leaving the reader to weigh the evidence. The book rewards those who enjoy tracing how a single myth—like pigmies fighting cranes—mutates across centuries and authors.
The rain kept its rhythm against the window while I traced the pigmy-crane battles in Myth-Land, noting how those pleasant figments quietly hardened into solemn stories. That same shift—from whisper to weight—lingered with me all afternoon. Later, a stray memory of river mists surfaced, and I found myself reaching for Legends of the Rhine — Background and Themes, where old tales still carry their own gentle gravity. The two books seemed to converse.
Olivia Robinson
4 weeks agoElla Green
1 month agoCarter Lewis
1 month ago-
Brenda Ryan - 1 month ago
This compilation feels superficial, barely scratching the surface of each myth. The retellings lack the depth and passion that make these stories resonate, and the transitions between cultures are jarring. The book seems more like a checklist than a cohesive narrative. For a more fulfilling mythological experience, look elsewhere. -
Melissa Gonzalez - 3 weeks ago
Myth Land presents a wide array of myths from around the world, which is both its strength and weakness. The variety is impressive, but the brevity of each myth leaves you wanting more. It's a decent overview, though readers seeking deep dives into specific mythologies might be disappointed. -
Betty Cheryl Weber - 2 weeks ago
Myth Land is a captivating journey through the folklore of various cultures, beautifully compiled and narrated. The author's passion for mythology shines through each page, making ancient tales feel fresh and thrilling. The diverse selection of myths provides a comprehensive look at human storytelling, and the descriptive language transports you to fantastical realms. An excellent addition to any mythology lover's library.
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Sebastian Adams
1 month ago