De Sobremesa; crónicas, Primera Parte (de 5) by Jacinto Benavente

(2 User reviews)   603
Benavente, Jacinto, 1866-1954 Benavente, Jacinto, 1866-1954
Spanish
Okay, you need to hear about this book I just read. It's called 'De Sobremesa,' and it's the first of five parts by this Spanish playwright, Jacinto Benavente. Don't let the 'crónicas' (chronicles) in the title fool you into thinking it's dry history. Picture this: you're at a long dinner party in late 19th-century Spain. The food is cleared, and over coffee and liqueurs, the real conversation begins. That's the 'sobremesa'—the after-dinner talk. This book captures that exact moment. It's a series of sharp, witty, and sometimes surprisingly deep observations about society, love, money, and art, all filtered through the conversations of these fascinating characters. The 'conflict' isn't a car chase or a murder; it's the clash of ideas. It's the quiet tension between old traditions and new money, between genuine feeling and social performance. If you love dialogue that crackles and stories that feel like you're eavesdropping on a brilliant, slightly scandalous conversation, this is your next read. It’s a perfect, bite-sized peek into a world where words were the main event.
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Jacinto Benavente, a giant of Spanish theater and a Nobel Prize winner, steps away from the stage in this work. 'De Sobremesa; crónicas, Primera Parte' is the first installment of a five-part collection that captures life not in dramatic acts, but in the intimate, unfiltered space after a meal.

The Story

Think of this less as a single, linear plot and more as a series of vivid snapshots. The book is structured around the concept of the 'sobremesa'—that relaxed, often revealing time after dinner when guards come down and true opinions surface. Through a cast of aristocrats, artists, businessmen, and social climbers, Benavente serves up short scenes and dialogues. We listen in as they gossip, argue about politics, dissect failed romances, and debate the value of art versus commerce. There's no central hero; the main character is the conversation itself, buzzing with wit, hypocrisy, ambition, and the occasional flash of real wisdom.

Why You Should Read It

I fell for this book because it feels incredibly alive. Benavente has a playwright's ear for how people really talk, especially when they're trying to impress or undermine each other. The observations are razor-sharp and often funny, poking at the vanities of his time—many of which haven't changed a bit. You see the anxiety about new technology, the performance of sophistication, and the eternal debate about selling out. It’s not heavy philosophy; it’s philosophy served with a side of brandy. Reading it feels sophisticated and a little mischievous, like you've been let in on a secret.

Final Verdict

This is a book for a specific, wonderful mood. It's perfect for readers who love character-driven stories, sharp social satire, and historical fiction that focuses on manners and ideas over battles. If you enjoy the works of Jane Austen for their social commentary or Oscar Wilde for his wit, you'll find a kindred spirit in Benavente. It's also ideal if you prefer shorter, episodic reading you can savor in small doses. A word of caution: if you need a fast-paced, plot-heavy thriller, this isn't it. But if you're ready to pull up a chair and listen to some truly excellent conversation, the first part of 'De Sobremesa' is a delightful place to start.



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Ava Miller
1 year ago

Essential reading for students of this field.

William Lee
1 year ago

Five stars!

4.5
4.5 out of 5 (2 User reviews )

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