How to sing [Meine Gesangskunst] by Lilli Lehmann
Forget everything you think you know about boring instructional books. How to Sing (Meine Gesangskunst) isn't a step-by-step lesson plan. It's the captured wisdom of Lilli Lehmann, a soprano so revered she was basically opera royalty in the late 1800s. Think of it as her personal workshop notes, published because she believed great art required great technique.
The Story
There's no plot in the traditional sense. Instead, Lehmann builds her case from the ground up. She starts with the absolute foundation: breath. For her, breath isn't just air; it's the fuel and the steering wheel for the voice. She spends enormous energy trying to describe the physical sensations of proper support—the engagement of muscles you probably don't think about. From there, she moves to tone production, vowel formation, and registration (navigating the different 'gears' of the voice). She dissects vocal problems and offers corrections, often using examples from famous operatic roles. The 'story' is the journey of building a reliable, expressive instrument, brick by brick, with Lehmann as your fiercely opinionated and brilliantly experienced foreman.
Why You Should Read It
Even if you've never sung a note, this book is a window into an artist's mind. Lehmann's passion is contagious. She doesn't just say 'support your breath'; she makes you feel how vital it is to the life of the music. You get her strong, sometimes stubborn, opinions on everything from practice habits to stage fright. Reading it, you realize that the effortless beauty of a great performance is built on a mountain of conscious, meticulous work. It demystifies the artist while deepening your respect for the craft. For singers, it's a historical treasure trove—a direct line to the pedagogical thinking of the Golden Age. You might not agree with every single idea (some are very much of their time), but arguing with Lehmann is part of the fun and the learning.
Final Verdict
This book is a must for classical singers, voice teachers, and serious music students. They'll find endless insights to debate and explore. But it's also a fantastic read for any music lover or history nerd who wants to understand what goes on behind the curtain. If you enjoy biographies of artists or peeking into the process of mastering a skill, Lehmann's passionate, detailed voice will pull you right in. It's not a quick fix; it's a conversation with a master. Just be ready for her to be very, very sure she's right.
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Linda Lee
1 year agoText is crisp, making it easy to focus.
Ethan Scott
1 year agoThis is one of those stories where it challenges the reader's perspective in an intellectual way. I couldn't put it down.
Edward Harris
1 year agoI had low expectations initially, however it challenges the reader's perspective in an intellectual way. A valuable addition to my collection.