The Book of the Thousand Nights and a Night — Volume 08 (of 10) — Inside the Classic

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In Category - Fairy Tales
Burton, Richard Francis, Sir, 1821-1890 [Translator] Project Gutenberg 2017 Not confirmed
Folklore -- Arab countries; Fairy tales -- Arab countries Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 162,740
Reading time 708 min
Text sections 29

Before opening The Book of the Thousand Nights and a Night — Volume 08 (of 10) — Inside the Classic, the edition data offers a quick orientation: 162,740 words, 11 hr 48 min estimated reading time, and 29 detected text sections.

The text analysis averages about 28.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Folklore -- Arab countries,” connecting these edition facts with the source record’s subject description.

Burton's translation of Nights Volume 8 continues with Sayf al-Muluk, Hasan of Bassorah, Khalifah the Fisherman, Masrur and Zayn al-Mawasif, and Ali Nur al-Din. The translator's footnotes on customs and language provide a distinctive layer of commentary alongside the frame-tale narrative.
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conferred robes of honour on them and entertained the Blue King and his troops hospitably for three days, after which he took Sayf al-Muluk and carried him back to the old Queen, his own mother, who rejoiced in him with an exceeding joy, and Shahyal marvelled at the beauty of the Prince and his loveliness and his perfection. Then the Prince related to him his story from beginning to end, especially what did befel him with Badi’a al-Jamal and Shahyal said, “O my mother, since ’tis thy pleasure that this should be, I hear and I obey all that to command it pleaseth thee; wherefore do thou take him and bear him to Sarandib and there celebrate his wedding and marry him to her in all state, for he is a goodly youth and hath endured horrors for her sake.” So she and her maidens set out with Sayf al-Muluk for Sarandib and, entering the Garden belonging to the Queen of Hind, foregathered with Daulat Khatun and Badi’a al-Jamal. Then the lovers met, and the old Queen acquainted the two Princesses with all that had passed between Sayf al-Muluk and the Blue King and how the Prince had been nearhand to a captive’s death; but in repetition is no fruition. Then King Taj al-Muluk father of Daulat Khatun assembled the lords of his land and drew up the contract of marriage between Sayf al-Muluk and Badi’a al-Jamal; and he conferred costly robes of honour and gave banquets to the lieges. Then Sayf al-Muluk rose and, kissing ground before the King, said to him, “O King, pardon! I would fain ask of thee somewhat but I fear lest thou refuse it to my disappointment.” Taj al-Muluk replied, “By Allah, though thou soughtest my soul of me, I would not refuse it to thee, after all the kindness thou hast done me!” Quoth Sayf al-Muluk, “I wish thee to marry the Princess Daulat Khatun to my brother Sa’id, and we will both be thy pages.” “I hear and obey,” answered Taj al-Muluk, and assembling his Grandees a second time, let draw up the contract of marriage between his daughter and Sa’id; after which they scattered gold and silver and the King bade decorate the city. So they held high festival and Sayf al-Muluk went in unto Badi’a al-Jamal and Sa’id went in unto Daulat Khatun on the same night. Moreover Sayf al-Muluk abode forty days with Badi’a al-Jamal, at the end of which she said to him, “O King’s son, say me, is there left in thy heart any regret for aught?” And he replied, “Allah forfend! I have accomplished my quest and there abideth no regret in my heart at all: but I would fain meet my father and my mother in the land of Egypt and see if they continue in welfare or not.” So she commanded a company of her slaves to convey them to Egypt, and they carried them to Cairo, where Sayf al-Muluk and Sa’id foregathered with their parents and abode with them a week; after which they took leave of them and returned to Sarandib-city; and from this time forwards, whenever they longed for their folk, they used to go to them and return. Then Sayf al-Muluk and Badi’a al-Jamal abode in all solace of life and its joyance as did Sa’id and Daulat Khatun, till there came to them the Destroyer of delights and Severer of Societies; and they all died good Moslems. So glory be to the Living One who dieth not, who createth all creatures and decreeth to them death and who is the First, without beginning, and the Last, without end! This is all that hath come down to us of the story of Sayf al-Muluk and Badi’a al-Jamal. And Allah alone wotteth the truth.[4] But not less excellent than this tale is the History of

Ironicè; we are safe as long as we are defended by such a brave.

Blue, azure. This is hardly the place for a protest, but I must not neglect the opportunity of cautioning my readers against rendering Bahr al-Azrak (“Blue River”) by “Blue Nile.” No Arab ever knew it by that name or thereby equalled it with the White Nile. The term was a pure invention of Abyssinian Bruce who was well aware of the unfact he was propagating, but his inordinate vanity and self-esteem, contrasting so curiously with many noble qualities, especially courage and self-reliance, tempted him to this and many other a traveller’s tale.

Volume 8 of Burton's translation opens with the continuation of Prince Sayf al-Muluk's quest, where the old Queen's challenge—"How shall there be accord between man and Jinn?"—sets the stakes for a tale that tests mortal resolve against supernatural forces. The narrative voice shifts between high romance and the earthy humor of Khalifah the Fisherman, whose hashish-induced visions and run-ins with a Jewish merchant showcase Burton's ear for colloquial Egyptian speech. The translator's footnotes, dense with cultural and linguistic glosses, form a parallel text that sometimes rivals the stories themselves in interest.

Voice and Register Across the Tales

The volume's five main tales display markedly different registers. Sayf al-Muluk employs a formal, courtly diction: the prince vows "to keep with thee covenant and regard none but thee," echoing the chivalric tone of earlier Nights. In contrast, Khalifah the Fisherman plunges into the vernacular, with phrases like "Sayyib-hu" glossed by Burton as an Egyptian vulgarism. The translator's notes draw attention to these shifts, explaining that the Rawi (storyteller) often "speaks to the Gallery" with deliberate anachronisms or religious confusions. This interplay between high and low styles mirrors the collection's own range, from jinn-love to street comedy.

Burton's Annotations as a Second Narrative

Burton's footnotes in this volume do more than clarify: they create a running commentary on custom, language, and morality. For instance, a note on the "two words" of the Moslem creed explains the popular belief that the number of saved is preordained, while another glosses "Mamarr al-Tujjār" as a merchants' passage. The notes often venture into comparative religion, as when Burton remarks on a confusion of "two distinct religious mythologies" and calls it "mere 'chaff.'" These asides give the reader a sense of Burton's own voice—scholarly, opinionated, and occasionally sardonic—woven into the fabric of the tales.

Pacing and the Frame-Tale Rhythm

The volume's pacing is shaped by the frame-tale's recurring formula: "Now when it was the Seven Hundred and Seventy-seventh Night, She resumed..." This rhythmic marker punctuates the longer stories, such as Hasan of Bassorah, which spans over a hundred pages. The transition from Sayf al-Muluk's romantic quest to Khalifah's farcical misadventures creates a deliberate change of pace, from sustained tension to episodic comedy. Burton's decision to include a note comparing the Breslau edition's version of Khalifah's tale further highlights how variant texts can alter narrative tempo, offering the reader a glimpse behind the editorial curtain.

Readers approaching this volume should attend to the footnotes as much as the tales; Burton's annotations are a key part of the experience, revealing the translator's engagement with the material. The shifts in register—from the high-flown vows of princes to the slang of fishermen—reward attention to linguistic detail. The volume stands as a self-contained segment of the Nights, but its connections to earlier and later volumes, through recurring characters and narrative patterns, invite a broader view of the cycle's architecture.

Burton’s night journeys through Sayf al-Muluk reminded me of how tales settle beside each other like old friends. His footnotes, those quiet asides, feel rather like the prefatory murmurs in Four and Twenty Fairy Tales Selected from Those of Perrault, and Other Popular Writers — Context and Discussion—each one a small doorway into another room of wondering. Strange, how one book’s dust can carry another’s scent.

Victoria Davis
3 weeks ago

Liam Rivera
1 month ago

Oliver Thomas
3 weeks ago

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4.5 out of 5 (3 User reviews )

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    Michelle Nichols - 1 month ago
    This eighth volume of The Book of the Thousand Nights and a Night continues the enchanting tales with the same rich, poetic language that makes the Arabian Nights so beloved. The translator's meticulous work brings out the intricate narratives and cultural nuances, making it a treasure for lovers of classic literature. Although the older English may be challenging, the stories remain timeless and captivating.

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    Michael Rhonda Rodriguez - 3 weeks ago
    This volume of the Arabian Nights is overly verbose and dense, making it tedious to read. The archaic language and excessive footnotes interrupt the flow of the stories. While the tales are classic, this edition doesn't make them accessible to modern readers; it feels more like a scholarly text than an enjoyable read.

  • ...
    Jessica Mendoza - 3 weeks ago
    Volume 8 of the Thousand Nights collection maintains the exotic charm and intricate storytelling of the series. The translation is faithful but occasionally archaic, which might slow down casual readers. Still, for those committed to reading the entire work, this volume delivers the expected mix of adventure, romance, and moral lessons.


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