The Wonderful Story of Blue Beard, and His Last Wife — Reading Companion

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In Category - Fairy Tales
Cruikshank, George, 1792-1878 [Illustrator] Project Gutenberg 2014 Not confirmed
Fairy tales; Bluebeard (Legendary character) -- Juvenile fiction; Curiosity -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 7,665
Reading time 34 min
Text sections 1

The catalog record for The Wonderful Story of Blue Beard, and His Last Wife — Reading Companion provides practical reading context through 7,665 words, 34 min estimated reading time, and 1 detected text section.

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Project Gutenberg metadata also associates the work with “Fairy tales,” connecting these edition facts with the source record’s subject description.

George Cruikshank's illustrated retelling of Blue Beard, where a young wife's curiosity leads to a bloody key and a narrow escape. The narrative voice blends moral commentary with suspense, and the pace shifts from leisurely description to frantic urgency.
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Editorial Edition Score 4.4/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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Nor was Blue Beard himself unemployed: he not only gave orders for himself, but all his servants were provided with the richest clothes, according to their respective situations.

Numerous as were his horses, additional ones were purchased; and new carriages of the grandest designs and the most costly materials, were prepared for his bride against the approaching happy day.

When the morning arrived on which this interesting ceremony was to take place, the day had scarcely dawned when sounds of joy were heard. The servants arose to prepare for the series of magnificence that was to take place; but none of them were moving about earlier than the bride and bridegroom; who, as they were the most immediately interested, were also the most anxious, and therefore among the most early, in preparing for the events of the day.

The company assembled to breakfast, and every thing marked the magnificence of the occasion; and every countenance contributed to the general cheerfulness. The church in which the ceremony was to take place was at some distance. The company proceeded thither in ten carriages, each drawn by six horses, and attended by a great retinue of servants. The carriage in which the bride and bridegroom were seated, was drawn by Arabian horses; the harness was made of white silk, woven on purpose; the trappings were of pure silver; the carriage itself was chiefly formed of pearl, ivory, and silver; and was lined with white satin, beautifully embossed.

When the procession approached the church, it was met by one hundred young maidens, dressed in white, singing to a band of the most skilful musicians: and when the company alighted, the young maidens strewed flowers for them to walk upon.

When the ceremony was over, they returned in the same manner, and were treated with the same complimentary services: that the hearts of all might rejoice, the bride and bridegroom distributed money as they passed along.

The dinner far exceeded in sumptuousness all that imagination can conceive. In the different recesses of this noble apartment, artificial fountains were playing the most odoriferous waters. The most luxuriant fruit-trees, standing in vases of gold, invited the guests to pluck the delicious fruits they bore.

In the evening, the company were introduced to a ball room. But so resplendent was this saloon, that on entering it, the eye was subdued by its incomparable radiance.

Transparencies, executed by the most eminent painters, charmed the attentive mind on every side; and the intervening spaces were filled up with variegated lamps, all of which were hung upon the surface of reflecting glass; while from the centre of the ceiling, a chandelier, suspended by a chain of gold, diffused the splendor of five hundred wax-lights. Here, also, were fountains of aromatic waters, and groves of exotic fruit-trees.

In this apartment, which seemed to realize the fabled stories of enchantment, dancing, and every other description of amusement, was continued, until folding windows opened, as if of their own accord, and disclosed a covered path through the most delightful part of the gardens, to a room in which supper was prepared: this path was entirely illuminated by splendid lamps; and the most brilliant fireworks were unremittingly discharged by artists engaged for the purpose.

The bride seemed to think that her life must necessarily consist of pleasure and happiness: indeed, she could imagine nothing that could be wanting to complete her wishes.

The utmost expectations of the young wife were fully gratified: every thing that she could wish for was hers, and her husband behaved with a kindness which made her feel truly happy.

Some time after the marriage had taken place, however, Blue Beard informed his wife that he had occasion to take a journey on account of some business, to which he must attend; "but I beg you, my dearest Fatima, (for that was the young lady's name,) to have every sort of entertainment that can amuse you during my absence. Here are all the keys of the castle; you may therefore examine the different apartments which you have not seen; and I hope you will find some that will surprise and please you as well as those with which you are already acquainted. I must however most earnestly caution and require you not to open the blue closet at the end of the gallery; and although I leave the key of it with you, yet I trust you will have the prudence to fulfil my wishes in this particular. Remember this, as you value my love and your own life and happiness."

The narrator of this version of Blue Beard does not simply tell a story; it delivers a lesson. Within the first paragraphs, the reader is told that 'it is not in the power of riches to give happiness' and that a vain girl 'generally falls into some kind of misery or trouble.' This moralizing tone, direct and parental, frames the entire tale. The prose is deliberate, even leisurely, as it describes the castle, the gardens, and the unfortunate gentleman's blue beard. Yet this calm exposition soon gives way to a tightening spiral of suspense.

A Moralizing Voice That Shapes the Narrative

The narrator addresses the reader as if speaking to a child, offering commentary on beauty, vanity, and obedience. For example, after introducing the younger sister as 'unusually handsome,' the narrator immediately warns that 'beauty is a misfortune' without good sense. This pattern recurs: events are explained in terms of their moral cause and effect. The mother's decision to allow Blue Beard's acquaintance is justified by her belief that it is 'improper' to shun someone for a physical peculiarity. The narrator thus becomes a character in the story, guiding interpretation. This voice is consistent throughout, even in moments of high tension, such as when Blue Beard declares that Fatima must 'receive the fate of broken promises, and disobedient curiosity.' The moral is not implied; it is stated.

The Blood-Stained Key as a Narrative Engine

The key to the forbidden closet is not merely a plot device; it is given a supernatural property: it 'has the property of preserving the stains of blood, until it be rubbed with a peculiar oil.' This detail transforms the key from a simple object into an active agent of revelation. Fatima and her sister try repeatedly to remove the blood, but 'all their efforts were unavailing.' The key's persistence drives the story forward, forcing the confrontation. The narrator uses the key to heighten tension: Blue Beard's demand for it, his discovery of the stain, and his subsequent rage are all tied to this object. The key's magical stain ensures that Fatima's disobedience cannot be hidden, making the climax inevitable.

Shifts in Pace: From Leisurely Description to Breathless Urgency

The early sections of the tale move slowly, with detailed descriptions of the castle's furnishings, the gardens, and the characters' appearances. The narrator takes time to explain why the young ladies avoid Blue Beard and how the mother intervenes. But once Fatima opens the closet, the pace accelerates dramatically. Sentences become shorter, and action verbs dominate: 'He arose and left the apartment,' 'He threw off the disguise,' 'He became impatient.' The final scene, where Fatima begs for time and her sister watches from the tower, is a series of rapid exchanges: 'Is no one coming?' 'I see two horsemen coming.' The countdown of minutes—'a quarter of an hour,' 'five minutes more'—creates a palpable urgency. The rescue arrives just as Blue Beard raises his scymitar, a moment of maximum tension.

Readers should pay attention to how the narrator's moralizing comments interact with the story's suspense. The same voice that pauses to lecture also drives the frantic final pages. The illustrations by George Cruikshank, though not reproduced here, likely complement this dual tone. This edition offers a chance to observe how a familiar fairy tale can be reshaped by a strong narrative voice and careful pacing.

There’s a particular turn in Cruikshank’s Blue Beard where the door creaks and the key slips — that hush before the rush. It made me think of old Russian tales I once leafed through, where curiosity also knocks on forbidden thresholds, not with blood but with frost and wonder. The Russian Garland, Being Russian Folk Tales — Story, Setting & Ideas holds that same quiet breath, I find.

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  • ...
    Sean Jeffery Klein - 1 month ago
    An interesting take on Blue Beard that adds depth to the story, focusing on the wife's perspective. The writing is competent, though at times it feels a bit too modern for a fairy tale. Still, it's a quick and enjoyable read for those who like reimagined classics.

  • ...
    Kelsey Thomas - 3 weeks ago
    This unique retelling of Blue Beard gives a fresh, feminist twist to the classic fairy tale. The story is engaging and well-paced, with a strong female lead who challenges the traditional narrative. The illustrations and prose are beautiful, making it a wonderful addition to any fairy tale collection.

  • ...
    Amanda Sanchez - 2 weeks ago
    The attempt to modernize Blue Beard falls flat. The story lacks the eerie charm of the original, and the moralizing tone is heavy-handed. The protagonist's actions are unrealistic, and the plot feels forced. A disappointing reinterpretation that doesn't do justice to the source material.


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